Praised for her “crystal clear soprano” (Falter / Bachtrack) and “glittering coloratura” (Der Tagesspiegel), Viennese soprano Miriam Kutrowatz is in high demand across Europe’s concert and operatic stages.
In the 2025–26 season, Miriam appears with the Tonkünstler-Orchester and performs at the Vienna Musikverein and Konzerthaus, singing works including Bach’s Weihnachtsoratorium, Haydn’s Paukenmesse, Handel’s Messiah, and Bach’s St John Passion. On the opera stage, she makes debuts in the title role of J.C. Bach’s Zanaida with Kammerakademie Potsdam and at Opéra National de Montpellier as Zerlina in Don Giovanni.
Recent concert engagements include Mahler’s Symphony No. 8 with the NDR Elbphilharmonie Orchestra and Czech Philharmonic under Semyon Bychkov, and with the Royal Concertgebouw Orchestra under Klaus Mäkelä; Bach’s Mass in B minor with the Accademia Nazionale di Santa Cecilia and Czech Philharmonic; Schoenberg’s Die Jakobsleiter under Ingo Metzmacher; and Brahms’ Ein deutsches Requiem in Kraków.
On the operatic stage, Miriam has sung Atalanta in Xerxes and Euridice in L’Orfeo (Opernhaus Zürich), Edwige in Robinson Crusoe (Komische Oper Berlin), Papagena in Die Zauberflöte (Kammerphilharmonie Bremen), and roles at Wiener Staatsoper, Theater an der Wien, Salzburg Festival, and the JOpera Festival.
In the 2025–26 season, Miriam appears with the Tonkünstler-Orchester and performs at the Vienna Musikverein and Konzerthaus, singing works including Bach’s Weihnachtsoratorium, Haydn’s Paukenmesse, Handel’s Messiah, and Bach’s St John Passion. On the opera stage, she makes debuts in the title role of J.C. Bach’s Zanaida with Kammerakademie Potsdam and at Opéra National de Montpellier as Zerlina in Don Giovanni.
Recent concert engagements include Mahler’s Symphony No. 8 with the NDR Elbphilharmonie Orchestra and Czech Philharmonic under Semyon Bychkov, and with the Royal Concertgebouw Orchestra under Klaus Mäkelä; Bach’s Mass in B minor with the Accademia Nazionale di Santa Cecilia and Czech Philharmonic; Schoenberg’s Die Jakobsleiter under Ingo Metzmacher; and Brahms’ Ein deutsches Requiem in Kraków.
On the operatic stage, Miriam has sung Atalanta in Xerxes and Euridice in L’Orfeo (Opernhaus Zürich), Edwige in Robinson Crusoe (Komische Oper Berlin), Papagena in Die Zauberflöte (Kammerphilharmonie Bremen), and roles at Wiener Staatsoper, Theater an der Wien, Salzburg Festival, and the JOpera Festival.